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| Author | Identifier | Number of Items | Total Downloads |
|---|---|---|---|
| Collins, D |  https://orcid.org/0000-0002-2026-7015 |
19 | 1803 |
| Title | Author(s) | IrusType | Repository | Item URL | Total Downloads |
|---|---|---|---|---|---|
| "So you want to write a canon?" An historically-informed new approach for the modern theory class | Collins, Denis | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:186092 | 858 |
| A briefe and short instruction of the art of musicke by Elway Bevin | Collins, Denis B.; Bevin, Elway | Book | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:137018 | 2 |
| An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering | Collins, Denis; Schloss, W. Andrew | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:10259 | 89 |
| Approaching renaissance music using Taneyev's theories of movable counterpoint | Denis Collins | Article | University of Queensland [UQ eSpace] | 63 | |
| Canon in Baroque Italy: Paolo Agostini's collections of masses, motets and counterpoints from 1627 | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | 2 | |
| Creative collaborative thought and puzzle canons in renaissance music | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:355417 | 1 |
| Dürer, Music, and Melencolia I | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | 4 | |
| Emotion and communities of musical expression in the high renaissance | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | 31 | |
| Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint | Collins, Denis | Conference Papers/Posters | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:238745 | 135 |
| Introduction | Collins, Denis; Murphy, Kerry; Owens, Samantha | Book Section | University of Queensland [UQ eSpace] | 3 | |
| John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:311739 | 119 |
| Music and dance | Collins, Denis; Nevile, Jennifer | Book Section | University of Queensland [UQ eSpace] | 1 | |
| Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance masses | Collins, Denis; Stoessel, Jason | Book Section | University of Queensland [UQ eSpace] | 77 | |
| New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript | Stoessel, Jason; Collins, Denis | Article | University of Queensland [UQ eSpace] | 11 | |
| Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint | Collins, Denis | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:319311 | 50 |
| Taneyev's theories of moveable counterpoint and the music of J.S. Bach | Collins, Denis | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:378562 | 1 |
| Thomas Schmidt-Beste (ed.), The Motet Around 1500: On the Relationship of Imitation and Text Treatment? (2012); and Albert Clement and Eric Jas (eds), Josquin and the Sublime (2011) | Collins, Denis | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:387086 | 229 |
| Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Sgostini (c.1583–1629) as a test case | Stoessel, Jason; Collins, Denis; Bolland, Scott | Conference Papers/Posters | University of Queensland [UQ eSpace] | 1 | |
| William Byrd's motets and canonic writing in England | Collins, Denis | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:186094 | 126 |
