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| Author | Identifier | Number of Items | Total Downloads |
|---|---|---|---|
| Hainge, G |  https://orcid.org/0000-0002-4618-6280 |
27 | 1889 |
| Title | Author(s) | IrusType | Repository | Item URL | Total Downloads |
|---|---|---|---|---|---|
| "Pagan poetry", piercing, pain and the politics of becoming | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120069 | 143 |
| A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:278804 | 2 |
| A whisper or a scream? experimental music sounds a warning for the future of theory | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120097 | 104 |
| Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:160625 | 19 |
| Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120099 | 114 |
| In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:160631 | 14 |
| Is Pop Music? | Hainge, Greg | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120019 | 193 |
| Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120064 | 289 |
| Neither here nor there: Lynch dissolves | Hainge, Greg | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:613754 | 6 |
| No(i)stalgia: On the impossibility of recognising noise in the present | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:76521 | 15 |
| No(i)stalgia: on the impossibility of recognising noise in the present | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:598772 | 1 |
| Noise matters: Towards an ontology of noise | Hainge, Greg | Book | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:279028 | 2 |
| Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120045 | 1 |
| Philippe Grandrieux: sonic cinema | Hainge, Greg | Book | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:449059 | 5 |
| Platonic relations: the problem of the loop in contemporary electronic music | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120084 | 6 |
| Review: Benjamin Thomas (ed.) (2012) Tourner le dos: Sur l’envers du personnage au cinema, Saint-Denis: Presses Universitaires de Vincennes. | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:380174 | 9 |
| Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120090 | 68 |
| Tekhne, technique, technologie | Hainge, Greg; De Nooy, Juliana; Hanna, Barbara E. | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:245717 | 1 |
| The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious | Hainge, G. | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120062 | 1 |
| The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:76543 | 70 |
| The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120075 | 30 |
| Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:334083 | 2 |
| Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by | Hainge, G. | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:171613 | 2 |
| To have done with the perspective of the (biological) body: Gaspar Noe´’s Enter the Void, somatic film theory and the biocinematic imaginary | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:281269 | 4 |
| To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion | Hainge, Greg | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120002 | 738 |
| Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction | Hainge, Greg | Article | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120042 | 49 |
| Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation | Hainge, Greg | Book Section | University of Queensland [UQ eSpace] | https://espace.library.uq.edu.au/view/UQ:120010 | 1 |
